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The Rockin' Ramrods - I Wanna Be Your Man [1963-1966]

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                       THE ROCKIN' RAMRODS                       


One of the leading acts on the Boston rock & roll scene in the 1960s, the Rockin' Ramrods never broke through to nationwide popularity but they were a potent draw in New England, playing a steady stream of gigs both as headliners and opening for many of the leading acts of the day, as well as releasing a handful of regional singles. the Rockin' Ramrods were formed by Ronn Campisi, who played bass, sang lead, and wrote the group's original material; Vin Campisi, Ronn's older brother, on guitar; and drummer Bob Henderson, who also sang backing vocals. A number of other musicians worked with the Ramrods, including guitarists Bill Linnae and Scott Curtis and keyboard man Lennie Cirelli. The group started out as an instrumental combo, but as acts without singers fell out of favor, Ronn Campisi took on vocal duties, and the group wrote and recorded a number of strong pop/rock tunes. the Rockin' Ramrods were managed by Bill Spence, owner of the Surf Ballroom chain in Massachusetts, and they were frequent headliners at Spence's venues as well as other New England clubs, social events, and teen dances. In 1965, Spence helped book a short tour of New England for the Rolling Stones, and the Rockin' Ramrods opened the shows as well as backing up two vocal groups on the bill, the Bluebelles (featuring Patti LaBelle) and the Vibrations. the Ramrods learned the song "I Wanna Be Your Man" from the Stones, which John Lennon and Paul McCartney had written with the Londoners in mind; the Rockin' Ramrods recorded it for a single, with another obscure Lennon/McCartney number, "I'll Be on My Way," on the flip side. 
As the '60s wore on, the Rockin' Ramrods became the Ramrods (they also recorded a single as the GTO's) and appeared in the American version of the film Disk-O-Tek Holiday (aka East Is East and Just for You). In 1968, they evolved into Puff, who recorded an album for MGM Records (Ronn Campisi wrote all the songs for Puff but didn't appear on the album, with bassist and vocalist David Ryan and Jim Mandell on keyboards, flute, and vocals joining Vin Campisi and Bob Henderson in the group). The Puff album proved unsuccessful, and Ronn Campisi joined a new version of the Ramrods (featuring Vin Campisi, Henderson, Glenn Jordan, and Danny McBride on guitars and keys and Stu Kassner on percussion), who cut a self-released album in 1971. [AMG]

Some fine Garage/Pop by one of the best Boston 60's rock acts [the others were The Remains and The Rising Storm]. This 80's Eva compilation gathers all their singles sides. Highlights include: She Lied, Play It, Mr Wind, Cry In My Room, Flowers In My Mind, Bright Lit Blue Skies. Dig!






The Spoons - Here Are The Spoons [1999] + Let The Good Times Roll EP

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                                   THE SPOONS                                    

Final album for this Istra, Pula [Croatia] garage revival crew. It's a mix of original stuff and some 60's garage classics like Dirty Robber [The Wailers], You'll Never Do It Baby [Pretty Things],Shakin' With Linda [The Soul Survivors] and cool sexy take on Slim Harpo'sRainin' In My Heart.There's a bonus Let The Good Times Roll EP with all instro Link Wray covers. Dig!


Motorvation
Bell Above Us



Los Coronas - Surfin' Tenochtitlan [2005]

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                                  LOS CORONAS                                  

Surfin' & Twangin' instro action from Madrid, Spain. This is their 4th album influenced by 60's instrumental classics as Duane Eddy, Dick Dale, The Ventures, The Shadows and Spaghetti Western themes. It's a real COOL Surfadelic stuff. Dig!







The Marketts - Sun Power [1967]

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                                THE MARKETTS                                

As requested, here's the '67 Lounge/Easy listening instrumental Lp by The Marketts. Sometimes classified as a surf group because of their legendary '63. hit instrumental "Out of Limits", they were actually a crew of Los Angeles session musicians, working under the direction of producer Joe Saraceno. This here is a collection mostly of covered classics that has ''Sun'' in their titles. As it said on backcover  ''It's a happy music for sun worshippers''. Surfadelic Easy listening.Dig!







The Gants - Gants Again! [1966]

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                                    THE GANTS                                      

Well, today I'm in the mood for some Garage/Folk rock. Recently I checked out a real cool blog "On The Flip-Side" and found post on The Gants 7'' from '66, Little Boy Sad/(You Can't Blow) Smoke Rings, so here we go now with their 3rd Lp Gants Again! from the same time. You're all familiar with their Beatlesque tune "I Wander" from Pebbles & Nuggets comps, well here it is among the other fine garage trax. Even consist mostly of covers of Paul Revere & The Raiders, The Young Rascals, The Troggs, The Beatles, Bo Diddley and some originals as I'm A Snake, Somebody Please and I Wander, it seems to me as pretty solid garage offer and their best 60's elpee. Dig!








The Vagrants - I Can't Make A Friend [1964-68]

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                                THE VAGRANTS                                 

Garage-Folk-Rock-R&B crew from Forest Hills, Queens, NY,famous for their take on “Respect,” included in the original Nuggets compilation in 1972. This collection gathers all of their 60's singles plus bonus previously unreleased 12min. version of "Satisfaction". First 45 "Oh Those Eyes" were recorded in late '65 an by '66 they became one of the hottest bands of NY, New Jersey and Long Island clubs. They appeared in '66 film ''East Is East'' performing ''I Can't Make A Friend'' one of the first records with categorized ''Long Island'' sound with the Hammond B9-3 organ. Later on their sound get more psychedelicized. Some says Ramones aren't only punks from Queens. Featuring young Leslie West [later in Mountain]. Dig!








Tommentón En La Cuadra Visits Surfadelic - HOLIDAYS IN SERBIA, Instrummentón En La Cuadra Vol.2

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                     HOLIDAYS IN SERBIA vol.2                   


Here we go again with next volume of this cool instrumental compilation seriesmade by my friend JoseKortozirkuito fromTommentón En La Cuadra blog spot. In the 2nd part of this instro trilogy ''HOLIDAYS IN SERBIA'' you can find some well known surfin' stuff by The Astronauts, The Challengers, The Ventures, The Atlantics or The Tornados as well as some super-cool rarities. The styles varied from classic 60's surf to mid 60's garage & lounge instros. There's couple of 90's tunes just to keep it fresh and exciting. Well, I could tell you much more but gonna leave it to Jose.

HiSurfadelicfriends!
Here isthe second partof thistrilogy,andmy personal favorite.To highlight theexcitingPeruvian"TheSelenites"withit's"Gogospacial"the exotic "MartyManning&Cheetahs"with"Tarzan's March"or "DickDale"hit,"The Wedge"played by"LosCoronas"in"TipicalSpanish style".Very interestinginstrumental "Love" cover of"AHouseIs NotAMotel".Alsogreat classicinstrumental musicwithunknown bands,modern surfingandmuch more, includingan unknown track: "LostLove", who will bethe interpreter?.Mr.EliminatorHelp!.Definitelygood and variedinstrumental musicI hopeyou like it.
Remind you thatin myblogyou can findthe collection
"Hold BackThe Dawn" a real cool garage-folk comp.
thatMr.Eliminator gave me.
I leave youto enjoy the musicandwait for the thirdvolume.
JoseKortozirkuito

Gregory Dee & Theavanties - The Ground
Ricketts - Action Painting
Tilsley Orchestral - Shot In The Arm


The Fantastic Dee-Jays [1966] Millennia Records Reissue Vinyl Rip!!!

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                     THE FANTASTIC DEE-JAYS                     

As you all know, before legendary Swamp Rats there were Dee-Jays. Their sole '66 Lp gain a cult status over the years as one of the most rare and expensive 60's garage vinyl. Out there you can find Eva rec. pirate platter but this here is a superior Surfadelic Vinyl Rip from '96 anniversary reissue. Well, Dee-Jays aren't essential as Rats but this record somehow grew on me over the years. Some solid garage tunes as Get Away Girl, Fight Fire [written by John Fogerty, The Golliwogs later CCR], Love Is So Tuff, raw version of The Vogues' slick pop hit "You're The One", solid covers of Stones What a Shame and Beatles What You're Doing are worth a spin.Dig!









The Cramps - Live At Club 57, 1979 + Demos 1977-79

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                                  THE CRAMPS                                    

CRAMPS Live At Club 57 in 1979 Double-lp set of 21 songs, including an incredible 13-song live set recorded in 1979 with professional mixes for WPIX-FM NYC with full sonic assault! Probably the best Cramps early live performance and recording ever, with Bryan & Ivy's guitars complimenting each other most brilliantly, Nick Knox's drumming is superb, and Lux providing great vocals and between-song banter.  The version of "Human Fly" is like an a-bomb exploding in your living room! The top-quality sound on the 8 demos have previously appeared on 1 or 2 reissues with inferior sound quality so get ready to hear them properly.Dig!




Alexandra Sladjana Milosevic - Serbian Punk Queen

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                          SLAĐANA MILOŠEVIĆ                          


Aleksandra “Slađana” Milošević is a New Wave/Pop rock singer from former Yugoslavia. She was born in Belgrade, Serbia, where she is living nowadays. Her first single called “Au, Au” released in 1977 achieved an immediate success. From then on, every song she had released hit the top of the charts among others songs “Miki Miki”, “Amsterdam” or “Recept Za Ljubav” [RecipeforLove]. In the late 70's, early 80's she came out with the Punk/New Wave style inspired by Joan Jett, Blondie and Lena Lovich.She was SOOO HOT!!! Check this out !





Music Starts at 2:07











The Rumblers - Boss Surf Music Classics [1962 - 1964]

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                                THE RUMBLERS                                


The Rumblers are known mostly for their one instrumental hit, 'Boss,' which made it to number 52 in early 1963. The Southern Californian group, however, recorded quite a bit in the subsequent two years, never repeating the success of 'Boss.' Though sometimes thought of as a surf band, they recorded in a variety of raucous instrumental rock & roll styles, as well as doing some vocal numbers. The Rumblers were formed at the end of the '50s by teenagers in the Los Angeles suburb of Norwalk, and by 1962, were doing some recording, hooking up with the small independent Downey label (based in the L.A. suburb of the same name). Downey had just one big hit, the Chantays' 1963 surf classic 'Pipeline,' and couldn't replicate the same level of success with The Rumblers, though 'Boss' got to the Top Ten at some local stations, going all the way to number two on KFWB in Los Angeles. 'Boss' and their local popularity, however, were enough to get them an LP on Downey and numerous follow-up 45s, including some recordings done under different names, such as the Nylons and Bel Canto's, whose 'Feel Aw Right' has an arrangement by a young Barry White. Distinguished from some other acts associated with the surf scene by their prominent use of saxophones (at one point the lineup included two sax players) and a heavier R&B orientation, The Rumblers broke up in late 1965 after guitarist Johnny Kirkland was drafted. They evolved into the Interns, who had a 1967 single in the vocal garage-pop-rock style whose popularity had made surf music largely a thing of the past. [AMG]

Sax wailin', rhythm & blues surf instros with some Surfadelic bonus stuff. Boss!





LYRES - Live At Downtown Lounge, Portland, Maine, May 1980

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                                          LYRES                                           

GREAT! Live shows recorded at Downtown Lounge 23 & 24 May 1980. previously available only as pirate audio cassettes. Couple of trax have landed on Crypt "The Early Years" and now here's the complete stuff on Surfadelic. Mono Man & Lyres at their best rollin' through garage classics as How Do You Know, Buried Alive, Geraldine, Cinderella, Sally Tease, Nobody But Me, Louie Louie, 100cc... Wow! You  shouldn't miss this. Dig!




Mr.Hot Shot present The R&B Review Show Of Stars Vol.1

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                          THE R&B REVIEW vol.1                        

10'' Vinyl edition with 10 greasy early 60's R&B shouters. This is pretty short but sweet, I mean really really SWEET! Vinyl Rip exclusively on Surfadelic! Dig!



Nelson Sanders - This Love Is Here To Stay
Earl Connelly B. - I Feel A Little Lonely


Mr.Hot Shot present The R&B Review Show Of Stars Vol.2

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                        THE R&B REVIEW vol.2                        

10 Mo' 60's R&B Hot Shots for your refined spoiled earholes. Hot!




Mr.Hot Shot present The R&B Review Show Of Stars Vol.3

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                        THE R&B REVIEW vol.3                       

Wet dreams come true! Even more R&B greasers for your ever hungry souls. Shot!





Mr.Hot Shot present The R&B Review Show Of Stars Vol.4

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                        THE R&B REVIEW vol.4                      

Last installment of this real cool R&B series. You know what's in store. Dig!



Pic Of The Day - Iggy & David "Station To Station"

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                                  Pic Of The Day                                   



Lyres - A Promise Is A Promise [1988]

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                                           LYRES                                          

Re-post of 3rd studio Lp from Boston's legendary garage-rock combo. Again, it's a fine mix of originals and well chosen covers as "She's Got Eyes That Tell Lies" [by Him & The Others], "Running Through the Night" [The Mystic Tide], "Jagged Time Lapse" [John's Children, Marc Bolan's pre-T-Rex outfit]. There are couple of live trax "Touch" [the Outsiders] with Wally Tax, and "Witch" [The Sonics]]. Also worth noting is "Knock My Socks Off" [take on DMZ tune "Bad Attitude"] and Stiv Bators [the Dead Boys] guests on opening track, "Here's a Heart". Dig!




DMZ/Lyres Family Tree

Rare Surf Vol.2 - The South Bay Bands

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                               RARE SURF VOL.2                             


More music from Los Angeles's South Bay area, cut between 1962 and 1964 and Paul Johnson's own studio, and this time there's a future star guitar virtuoso in this mix of track, 90% of which are previously unissued. The Nocturnes were a multi-faceted band whose sounds drew from surf, garage-rock, sci-fi films, Latino, and sound effects records — picture a rock & roll band with room for a mariachi horn section and an organ, transforming itself into a Tornadoes-style guitar-and-FX outfit, and that's the level of flexibility on their songs. Funny thing is, it all holds together, too — their tracks are lively and always interesting. Wheely McSidewalk & The Ball Bearings was a pseudonym for a trio of guitar instrumentals cut in a sort of in-studio duel between some rival axemen, including a mid-teens Larry Carlton. This is real serious stuff despite the obvious jokiness of the name, hot guitar workouts for the period between guys who could play circles around the competition. The Revelairs, featured on eight cuts, had two separate guitar sounds, the biting leads by Frank Simplicito and the crunchy rhythm parts by Mark Stotesbury, who was so strong that the band avoided getting a bass player for years, relying on his solo rhythm guitar. These guys eventually ended up turning pro as sessionmen and playing background music on MGM-produced shows like The Man From U.N.C.L.E. and Then Came Bronson. The Vibrants, represented on six tracks, opened for acts like the Beach Boys and the Journeymen (see Vol. 1) and sounded uncannily like the early Ventures, all lean guitars (they added a sax later, but even on these tracks it's pushed into the background). They had a genuinely aggressive attack, even on their more relaxed numbers, and listening to an instrumental like "Scorpion" is a lot like riding the surf, much as "Zorchy" evokes the surf and beach scene of the era. These boys should have been doing soundtrack music. The audio quality, incidentally, is impeccable, and the notes are extraordinary in their detail and the obvious joy in this music that they express. [Bruce Eder]Dig!



Drink Beer! Yell! Dance! - Midwest Frat And Garage Stompers '61-'66!!

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                   DRINK BEER! YELL! DANCE!                   

A perfect drunken garage party comp. with 16 stooped teen frat/punk stompers. 

Drink!





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